Gerard van Honthorst

(November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century. Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes.
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Gerard van Honthorst The Matchmaker by Gerrit van Honthorst oil painting


The Matchmaker by Gerrit van Honthorst
Gemälde ID::  59419
Siehe Galerie in Schweden
The Matchmaker by Gerrit van Honthorst
The Matchmaker by Gerrit van Honthorst, showing the influence of Caravaggio and chiaroscuro.
The_Matchmaker_by_Gerrit_van_Honthorst,_showing_the_influence_of_Caravaggio_and_chiaroscuro.
   
   
     

Gerard van Honthorst Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst oil painting


Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst
Gemälde ID::  59420
Siehe Galerie in Schweden
Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst
Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, Utrecht
Margareta_Maria_de_Roodere_and_Her_Parents_by_Gerrit_van_Honthorst_(1652)_Oil_on_canvas,_140_x_170_cm._Centraal_Museum,_Utrecht
   
   
     

Gerard van Honthorst Alternate title oil painting


Alternate title
Gemälde ID::  68382
Siehe Galerie in Schweden
Alternate title
Technique Oil on canvas Dimensions 107.2 ?? 88.3 cm
Technique_Oil_on_canvas_ Dimensions_107.2_??_88.3_cm
   
   
     

Gerard van Honthorst Granida en Daifilo oil painting


Granida en Daifilo
Gemälde ID::  70051
Siehe Galerie in Schweden
Granida en Daifilo
Medium Oil on canvas Dimensions 144.7 X 179 cm
Medium_Oil_on_canvas _ Dimensions_144.7_X_179_cm
   
   
     

Gerard van Honthorst St Peter Released from Prison. At the Staatliche Museen, Berlin. oil painting


St Peter Released from Prison. At the Staatliche Museen, Berlin.
Gemälde ID::  74108
Siehe Galerie in Schweden
St Peter Released from Prison. At the Staatliche Museen, Berlin.
St Peter Released from Prison. At the Staatliche Museen, Berlin. 1616-1618 cjr
St_Peter_Released_from_Prison._At_the_Staatliche_Museen,_Berlin._ 1616-1618 _ cjr
   
   
     

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     Gerard van Honthorst
     (November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century. Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes.

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